The STARTS Prize awarded by the European Commission spotlights collaboration of science, technology and art. That’s the same approach taken by Sophie Lampartner, director of swissnex San Francisco and one of this year’s STARTS jurors. In this interview, she talks about trends at the nexus of these three domains.
“GET INSPIRED – Promising Projects at the Nexus of Art, Technology and Science” was the theme of a showcase of innovative projects based in Linz and Upper Austria staged yesterday by Ars Electronica in cooperation with a regional association of young businesspeople. Join us for a look back at an inspiring evening.
This year’s STARTS PRIZE recipients come from Japan and Switzerland. “I’m Humanity” garnered the Grand Prize for Artistic Exploration for Etsuko Yakushimaru; the Grand Prize for Innovative Collaboration goes to Gramazio Kohler Research at ETH–Swiss Federal Institute of Technology in Zurich and the Self-Assembly Lab at MIT for their “Rock Print” installation.
Now that the 2017 STARTS Prizes have been selected, the European Commission’s STARTS initiative is launching another attractive program. Artists can now apply for a residency in which they create a new work of art using the technology of the R&D project of their choice. The entry deadline is May 22, 2017.
Collaboration among science, technology and art is urgently needed! Marleen Stikker and Lucas Evers of the Waag Society talk about these three fields’ commonalities and, shortly before the entry deadline, address a last-chance call to motivate artists, engineers and scientists to submit their transdisciplinary projects for 2017 STARTS Prize consideration.
In this interview, the artistic director of the Centre for Fine Arts (BOZAR) discusses the artist’s role in this day and age, notes that art also emerges beyond the confines of picture frames, and points out how important it is for disciplines to interconnect.
In what ways do science, technology and art overlap? What is innovation? And which technological developments will be successful over the long run? Gerfried Stocker, artistic director of Ars Electronica, and Veronika Liebl, STARTS project manager, discussed these topics with us.
The theme of the 2016 Ars Electronica Festival is RADICAL ATOMS – and the alchemists of our time. But who are these people, actually? In the theme exhibition, you’ll find out all about the artists, scientists, activists and entrepreneurs whose unorthodox approaches and inspiring projects are bound to make an impact on our future. In […]
The first STARTS Prize competition was conducted by Ars Electronica on behalf of the European Commission this year. The mission: recognizing excellence at the nexus of science, technology and art. Here’s an overview of the winners as well as a few very interesting runners-up and nominees.
The Artificial Skins and Bones project seminar conducted by Prof. Mika Satomi and Prof. Wolf Jeschonnek is one of this year’s two recipients of a STARTS Prize awarded by the European Commission. Here’s a briefing on the Berlin Weißensee School of Art and work being done there.
This project has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 956603. This publication (communication) reflects the views only of the author, and the European Commission cannot be held responsible for any use which may be made of the information contained therein.